Bach Bibliography
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TypeListTitle [further info]SeriesVolNoYearPagesStatus
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1. Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. [p]BNUK_Cambridge Jul 2015
2. Mendelssohn and The Schübler Chorales (BWV 645-650): A New Source found in the Riemenschneider Bach Institute Collection. Bach 44 1 2013 1-45
3. Heikinritsu Clavier Kyokushu Dai-2-Kan no Shukofu ni kansuru Database Kochiku to sono Riyo. IPSJSIGNotes 100 Oct 2002 21-26
4. Roundtable 1: Bach Kenkyu to 21 Seiki. OngakuGaku 51 3 2005 233-235
5. Roundtable 'Bach Kenkyu to 21Seiki'. [p]MSJ_Tokyo Oct 2005
6. Neue Quellen zu Johann Sebastian Bachs Violinsoli (BWV 1001-1006). Zur Rekonstruktion eines wichtigen Überlieferungszweigs. BachJb 95 2009 49-74
7. B-minor Mass: Select Bibliography. [cr]Belfast2007 2 2007 492-504
8. Bach Studies from Dublin: Selected papers presented at the ninth biennial conference on Baroque music, held at Trinity College Dublin from 12th to 16th July 2000. IrishMStud 8 2004 270p
9. The Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century. ISMIR 10 2009 519-523
10. Writer Identification in Old Music Manuscripts Using Contour-Hinge Feature and Dimensionality Reduction with an Autoencoder. 2013 555-562
11. Classifying Bach's Handwritten C-Clefs. ISMIR 12 2011 417-422
12. The Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century. [p]MwW_Belfast Dec 2009
13. 1780nendai Wien to 'Heikinritsu Klavier Kyokushu' Dai-2-Kan. Shiryo Densho kara kaimamiru fukuzatsu de unique na Juyoshi. [p]MSJ_Tokyo Feb 1997
14. 19-seiki no Shuppanfu kara miru Bach Juyo no Shoyoso. [p]MSJ_Tokyo Nov 2011
15. Analysing Bach's ink through a glass darkly. MTimes 139 1865 Winter 1998 37-38, 40-42
16. A new light shed on the origin of Mozart's KV 404a and 405 through the recent source study of J. S. Bach's Well-Tempered Clavier II. [p]BMC_London Apr 1996
17. Anna Magdalena as Bach's Copyist. [p]Women_Yale Oct 2009
18. Anna Magdalena as Bach's Copyist. [p]BNUK_Oxford Jan 2008
19. Anna Magdalena as Bach's Copyist. UnderstandingBach 2 2007 59-76
20. Aspects of the Reception of Bach's Well-Tempered Clavier in Chopin's Time: An Overview of Print and Manuscript Sources [cr]Warsaw2017 2019 171-196
21. Assessing a text-critical database using AI techniques. [p]RMA_London Nov 1996
22. Bach. [ce]BaroqueComposers 2011 xxxvii, 574p
23. Bach and Dresden: A New Hypothesis on the Origin of the Goldberg Variations (BWV 988). [fs]Leaver65 2007 169-191
24. Bach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection. Bach 30 2 1999 49-72
25. 'Bach and His Sons' Bachfest Leipzig 2008. BachNotesABS 10 Fall 2008 8-9
26. Bach Botsugo 50-nenkan ni okeru Mubanso Violin no tame no Sonata to Partita no Densho to Juyo ni kanshite. [p]MSJ_Tokyo Oct 2008
27. Bachfest Leipzig '06 -- Another View from the Stalls. BachNotesLBS Sep 2006 [4]
28. Bachfest Leipzig 2003. 23 May-1 June. Review. 29 Jun 2003
29. Bachfest Leipzig 2004. BachNotesLBS Sep 2004 [3]
30. Bachfest Leipzig 2004. BachNotesABS 2 Fall 2004 5
31. Bachfest Leipzig 2004. Bach und die Romantik - Bach and the Age of Romanticism. 14 - 23 May 2004. Review. 11 Jul 2004
32. Bachfest Leipzig 2005: 'Bach und die Zukunft'. BachNotesABS 4 Fall 2005 7
33. Bachfest Leipzig 2005. Bach und die Zukunft - Bach and the Future. 29 April - 8 May 2005. Review. 20 Jun 2005
34. Bachfest Leipzig 2006: 'Von Bach zu Mozart'. May 27 to June 5. BachNotesABS 6 Fall 2006 15
35. Bachfest Leipzig 2008. BachNotesLBS Sep 2008 [3]
36. Bachfest Leipzig 2008. Bach und seine Söhne - Bach and his sons. 13 June - 22 June 2008. Review. 14 Aug 2008
37. Bachfest Leipzig 2009. An appreciation. BachNotesLBS Sep 2009 [4]
38. Bachfest Leipzig 2010. BachNotesLBS Autumn 2010 [2-3]
39. Bachfest Leipzig 2015: 'So herrlich stehst du, liebe Stadt!' -- A Report BachNotesLBS Autumn 2015 [4]
40. Bachfest Leipzig 2016, a review from the pews. BachNotesLBS Autumn 2016 [5]
41. Bachfest Leipzig 2018: a review. BachNotesLBS Autumn 2018 [6]
42. Bachfest Leipzig 2018: Cycles ; A Conference Report. BachNotesABS 29 Fall 2018 [1]-3
43. Bachfest Leipzig 2019 - A report BachNotesLBS Autumn 2019 [3]
44. Bach, Johann Sebastian (b. Eisenach, 21 Mar. 1685; d. Leipzig, 28 July 1750) [ce]CambridgeMozartEncyclopedia 2006 38-41
45. Bach Kenkyu no atarashii Keiko to Shorai ni kanshite no Ichikosatsu. OngakuGaku 51 3 2005 234
46. Bach no Jihitsufu kara Wareware wa Nani o manaberu ka. Ensosha to Kenkyusha no Eien no Kadai. KunitachiColMResearchInstBul 21 Mar 2009 159-174
47. Bachowskie przebudzenie Mozarta - studium kontekstu. PrzegladMuzykologiczny 7 2009 191-223
48. Bach Reception in Pre-Classical Vienna: Baron van Swieten's Circle Edits the 'Well-Tempered Clavier' II. MLetters 81 3 Aug 2000 364-391
49. Bach's Credo in England: an early history. IrishMStud 8 2004 205-227
50. Bach's Credo in England: an early history. [p]BCB_Dublin Jul 2000
51. Bach, The Font: inline Music Graphics for Databases and Spreadsheets. ComputingMcol 9 1993-94 61-64
52. Bahha no Sakkyoku Katei to Enso e no Hinto o 8-bun Onpu no Renko kara yomitoku. [p]MSJ_Tokyo Nov 2015
53. Breaking the Limits: Some Preliminary Considerations on Introducing an e-Science Model to Source Studies. [cr]Shizuoka2002 2004 233-237
54. Challenging Virtuality: A Response to Ruth Tatlow. BachNotesABS 18 Spring 2013 3-6
55. Clavier-Übung III ('The German Organ Mass') 2000
56. Das Wohltemperierte Clavier in England. Abschriften aus dem Besitz von Charles Burney und Friedrich Wilhelm Marpurg. BachJb 85 1999 143-149
57. Das Wohltemperierte Klavier ; Teil II / Johann Sebastian Bach. 2007 xiii, 164p
58. Das Wohltemperierte Klavier ; Teil II / Johann Sebastian Bach. 2007 xvii, 164p
59. Deciphering J. S. Bach's Performance Hints in his autograph manuscripts. [p]1ICHKM_Edinburgh Jul 2011
60. Deciphering the performance hints hidden in J. S. Bach's quaver beams. EarlyM 44 1 Feb 2016 89-104
61. Editing Bach's Well-Tempered Clavier, Part 2. Jun 2006
62. Exploring J. S. Bach's musical thinking and performance intentions through the examination of his quaver-beam notation. [p]IMS_Tokyo Mar 2017
63. Gibt es bisher unbekannte Kanons von Bach? Ergebnisse jüngster Forschungen zur Frühzeit der Bach-Bewegung in England. LeipzigerBeitrBachF 5 2002 497-519
64. 'Goldberg Hensokyoku' no Seiritsu wo megutte: Gendai ni okeru Pianist e no Ichiteigen. KunitachiColMResearchInstBul 23 Mar 2011 91-115
65. Hitherto unknown Bach canons? Some findings from recent research into the dawn of the Bach movement in England. [p]WK_Leipzig Jan 2000
66. Hitherto unknown musical transcription of Psalms in Bach's Well-Tempered Clavier, Book II? The old question revisited [p]BCB_Exeter Jul 1998
67. Hof-Compositeur Bach: A Review of Bachfest Leipzig 2019. BachNotesABS 31 Fall 2019 11-14
68. In Memoriam: Alison Jayne Dunlop (1985-2013) BachNotesABS 20 Spring 2014 6-7
69. Introduction. [ce]BaroqueComposers 2011 xv-xxxvii
70. J. S. Bach no Kantata no Kenkyushi o megutte. BCJ 100 Feb 2013 34-37
71. J. S. Bach's 'Das Wohltemperierte Clavier II': A Critical Commentary. Vol. I: Autograph Manuscripts. 1993 iv, 146p
72. J. S. Bach's 'Das Wohltemperierte Clavier II': A Critical Commentary. Vol.II. All the Extant Manuscripts. 1995 xxx, 1001p
73. J. S. Bach's Well-Tempered Clavier, Book II: A Study of its Aim, Historical Significance and Compiling Process. diss. 1990 xv, 317, 88, 608, 45p
74. J. S. Bach's Well-Tempered Clavier II in Vienna, 1777-1801: A Unique Reception History. [p]RMA_Belfast May 1996
75. Kangengaku Kumikyoku o megutte. BCJ 61 Oct 2003 16-18
76. Leipzig, a City of Festivals. Bachfest'05- a view from the pew. BachNotesLBS Sep 2005 [3-4]
77. Leipzig's Bachfest [2013] enthrals. BachNotesLBS Autumn 2013 [3]
78. Leipzig's Bachfest sines again: an appreciation. BachNotesLBS Autumn 2012 [3]
79. 'London Jihitsufu' to 'Heikinritsu Clavier Kyokushu'. BachZenshu 12 Jul 1998 64-83
80. Manuscripts. [ce]RoutledgeResearchCompanion 2017 47-88
81. 'Most ingenious, most learned, and yet practicable work': The English reception of Bach's The Well-Tempered Clavier in the first half of the nineteenth century as seen through the editions published in London. BachNotesABS 7 Spring 2007 1-12
82. 'Most ingenious, most learned, and yet practicable work': The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London. [ce]Piano19CBritishCulture 2007 33-67
83. 'Most ingenious, most learned, and yet practicable work': The English reception of Bach's Well-Tempered Clavier in the first half of the nineteenth century seen through the editions published in London. [p]ABS_Leipzig May 2006
84. On-line Bach Bibliography: a brief introduction and demonstration. [p]ABS_Houston Apr 2002
85. Orijinaru Shiryo kara manabu Bach no 'Partita' Dai-2-ban to Dai-6-ban. KunitachiColMResearchInstBul 22 Mar 2010 107-131
86. Program Notes. [BWV 1046-1051] BCJ 135 Nov 2019 12-19
87. Program Notes. [BWV 232] BCJ 120 Nov 2016 12-17
88. Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. [ce]BaroqueComposers 2011 465-491
89. Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. Bach 32 1 2001 17-43
90. Pursuit of perfection: stages of revision in Wesley and Horn's 'New and Correct' edition of Bach's '48'. [p]SMI_Maynooth May 2003
91. Pursuit of Perfection: Stages of Revision of the Wesley/Horn '48'. [ce]EnglishBachAwakening 2004 341-377
92. Reading Inspiration from Autograph Manuscripts: Musicologist's Advice to Performers on the second Book of the '48'. [p]JSBRI_Birmingham May 1997
93. Reading performance implications from J. S. Bach's eighth-note beams. [p]HPI_Bloomington May 2016
94. Reading Soul from Manuscripts: Observations on Performance Issues in J.S. Bach's Habits of Writing his Music. [p]BICB_Leeds Jul 2008
95. Reading Soul from Manuscripts: Some Observations on Performance Issues in J. S. Bach's Habits of Writing His Music. [fs]Hogwood70 2011 13-40
96. Recently discovered sources of Bach's Well-Tempered Clavier and their implication. [p]SMI_Belfast May 2004
97. Reconstructing Bach's conjugal conversation. Re-assessing the contribution and the musicological value of the work of Anna Magdalena Bach. [p]BICB_Warsaw Jul 2006
98. Re-examining the role of Kirnberger in the compilation and dissemination of Bach's Well-Tempered Clavier II. [p]BICB_Manchester Jul 2004
99. Review -- 'Geheimnisse der Harmonie': Bachfest Leipzig 2016. BachNotesABS 25 Fall 2016 9-11
100. Revisiting Altnickol's 1744 Copy of the Well-Tempered Clavier, Book II. [p]BICB_Salzburg Jul 2014
101. Revisiting the reception of J. S. Bach's Well-Tempered Clavier II in pre-Classical Vienna. [fs]Gillen 2017 318-359
102. 'Rotancho Misakyoku' to Bach Kenkyu: Sakuhin no Densho to Gakufu Henshushi kara miru Kenkyujo no Shomondai. KunitachiColMResearchInstBul 24 Mar 2012 145-182
103. Samuel Wesley as Analyst of Bach's Fugues. [ce]EnglishBachAwakening 2004 379-402
104. Samuel Wesley as analyst of Bach's fugues. [p]RMA_Dublin May 2002
105. Select Bibliography. AmerBachSocNL Spring 2003 6-7
106. Select Bibliography. AmerBachSocNL Spring 2002 6-7
107. Select Bibliography. AmerBachSocNL Spring 2001 6-7
108. Setting up Research Resources for the Future: The On-line Bach Bibliography Project and International Collaboration. [p]IBS_Utrecht Sep 2000
109. 'So herrlich stehst du, liebe Stadt!': Report on Bachfest Leipzig 12-21 June 2015. BachNotesABS 23 Fall 2015 8-11
110. Some considerations on current methods of studying Bach's autograph manuscripts with particular reference to isolating his revisions through the analysis of ink: an interim report. [p]RMA_Belfast May 1998
111. Songs Both New and Old -- A Review of the Bachfest Leipzig 2012. BachNotesABS 17 Fall 2012 1-5
112. Stages of revision of the Wesley/Horn '48' title-page plate. 2004
113. Streben nach Korrektheit: Samuel Wesley als Herausgeber von Bachs Klavierwerken. DortmundBachF 6 2003 87-103
114. Struggle for correctness: Samuel Wesley as an editor of Bach's keyboard works. [p]BS_Dortmund Jan-Feb 2002
115. Surviving copies of the Wesley/Horn '48'. 2005
116. The Bach competition of 1801: the battle against time and correctness as seen in the first complete editions of the Well-Tempered Clavier. [p]BCB_Logrono Jul 2002
117. The Bachfest Leipzig 2009 -- A Review. BachNotesABS 12 Winter 2010 1-2
118. The Bach reception in the first half of the nineteenth-century England seen through the manuscript and printed sources of the Well-Tempered Clavier. [p]BICM19C_Nottingham Jul 2005
119. The Clavier-Übung II (BWV 971 and 831) 2006
120. The Dawn of the English Bach Awakening Manifested in Sources of the '48'. [ce]EnglishBachAwakening 2004 35-167
121. The French Suites (BWV 812-817). 2003
122. The 'Goldberg' Variations (BWV 988). 1997
123. The Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier, Book Two. UnderstandingBach 6 2011 35-50
124. The Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier Book Two. [p]BNUK_Edinburgh Aug 2011
125. The Inventions and Sinfonias (BWV 772-801). 1999
126. The Passions as a Source of Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered Clavier II. ContextBachStud 8 2018 225-242
127. The Simrock Edition of the Well-Tempered Clavier II. 2005
128. The Six Partitas (BWV 825-830). 2002
129. The Sources of J. S. Bach's Well-Tempered Clavier II in Vienna 1777-1801. Bach 29 2 Fall-Winter 1998 8-79
130. The translation of twenty-four most recent musical thoughts?: a new hypothesis on the origin of the Well-Tempered Clavier II. [p]IATB_Eisenach Mar 2002
131. The Well-Tempered Clavier, Book 1 (BWV 846-869). 1996
132. The Well-Tempered Clavier II and Pianoforte Performance. Appreciation of Bach's profound compositional level - Theological and philosophical Speculation. diss. 1986 86p
133. The Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication. [p]BICB_Belfast Jul 2010
134. The Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication. [p]MwW_Belfast Dec 2009
135. Towards the accurate understanding of J. C. Altnickol's copies of Bach's works. [p]BICB_Canterbury Jul 2016
136. Transmission of Bach's WTC in England during the Second Half of the Eighteenth Century. [p]RMA_Waterford May 1999
137. Veiled aspects of Bach Reception in the 19th century exposed through a macro-level examination of prints. [p]BICB_Southampton Jul 2012
138. Veiled Aspects of Bach Reception in the long Nineteenth Century Exposed through a Macro-examination of Printed Music: with Particular Focus on The Well-Tempered Clavier. UnderstandingBach 7 2012 29-53
139. New Online Resources for Bach Scholarship. [p]BNUK_Cambridge Jul 2015
140. Towards the Development of the Next Generation of Online Resources for Bach Scholarship. [p]IMS_Tokyo Mar 2017
141. International Symposium: Understanding Bach's B-minor Mass. Discussion Book 1. Full Papers by the Speakers at the Symposium on 2, 3 and 4 November 2007. [cr]Belfast2007 1 2007 x, 356p
142. Managing a text-critical database of J.S. Bach's 'Well-Tempered Clavier II' with XML and a relational database. [p]IMS_Leuven Aug 2002
143. International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2. Resource Book. [cr]Belfast2007 2 2007 357-511p
144. Exploring Bach's B-minor Mass. [ce]ExploringBMM 2013 xxix, 314p
145. Bach's quaver notation and performance implications. [p]BNUK_Cambridge Jul 2017
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